Showing posts with label Philosophy. Show all posts
Showing posts with label Philosophy. Show all posts

Sunday, November 16, 2014

The year I was too busy to blog

Hey all,  Thomas Boguszewski here.

This site has been awfully silent since last November.  I've been doing a lot of fun stuff and telling nobody about it.  That's all going to change, though.

In the coming weeks I'll be catching up on lost time, and sharing stories about the projects I've worked on and experiences I've had in 2014.

Among them:

4 puppet shows
a book trailer
3 operas
3 conventions
1 film festival
1 delayed animated film
1 cancelled commercial
1 aborted installation piece
300 pages of comedy
a collection of incredible summer adventures...

and more!
stay tuned while I not only revitalize the stream of news stories, but redesign this blog as well!
Here's looking forward to a future where I take more of what's going on in my world and share it with others.

Friday, May 25, 2012

The Tale of Turnip Head - In Color

You've heard of Christmas in July, but what about Halloween in May?

You might remember The Tale of Turnip Head from when I posted inks for it in November.  Part of, "one of my ongoing, long-term projects... a graphic novel about the history of Halloween," The Tale of Turnip Head is "a wordless fantasy illustrating the evolution of the Jack-o-Lantern" that begins with a Celtic warrior on the battlefield.

This Spring I bring you the colored version of the story, and the news that I'm selling booklets of Turnip Head.

Enjoy!

Wednesday, February 1, 2012

Werther —or— A Dark Knight at the Opera


Last Thursday I went along with the Black Hat Collective to another preview at the Minnesota Opera.  Our mission:  To draw comics, enjoy the show, and have a fun time —then blog about it!

Tonight's show: 
Werther

Read on to learn about history, tragedy, romance and Batman in this fully-illustrated article featuring cartoons and comedy. 

Sunday, January 22, 2012

Come to The Medicine Show!

Ladies and gentlemen!  Boys and girls! 
The time has come for a reprise of 
the phantasmagorical, sensational, mystical 

Strombolli's Medicine Show!

Monday, January 2, 2012

Alchemy: Its history and theory

My friend Michael McConnell is designing a gallery exhibit about the periodic table of the elements.   I am a rabid Alchemy enthusiast, so Michael gave me a special assignment:  By Spring 2013 I shall create a 10 minute (or 10'x10'x10') presentation on the elements as understood by the Alchemists.  To prepare for the project I wrote this "thesis" to base my work around.  Here I shall take a "just the facts, Ma'am" approach to the history of Alchemy and focus mainly on what was pertinent to the periodic table.  Still, talking about Alchemy is not an exact science because Alchemy itself was not an exact science, but rather, a "philosophical art" for which each Alchemist had his own unique approach and theories about what he was doing.

The origin of Alchemy:


Hellenistic Egypt, ca 300 BC.  Greek colonists look at the religion of the Egyptians and see similarities between their god Hermes and the Egyptian god Thoth (The-Thrice-Great).  Both were gods of language, gods of magic and psychopomps (in charge of transmitting souls from one world to the next, like the grim reaper) In the minds of some, the two figures merge into one character called Hermes Trismegistus. 

Sunday, January 1, 2012

New Year's Resolution(s)

New Year's resolution(s):

Henceforth I will publish one thing —a piece of flash fiction, a picture, a poem, a comic, a song, etc.— every day (or some rate close to that).

January is watercolor month.  I will work on a watercolor painting every evening after dinner.

2012 sees an increased focus from me on my relationships.  Friends are there to uplift, challenge, team up with and champion each other.  Such relationships are arguably the only things that matter.

2012 is also the year I turn commercial.  I will endeavor to show off, sell things, get jobs, and generally be a presence like never before.

Shortly I will have converted the "junk room" in my house into a studio out of which I will base my artistic endeavors.

And friends:  I hope to have your support as I try to do this stuff.  I need all the help I can get, and feedback is always craved.

Allons-y!

—Thomas Boguszewski

Thursday, December 29, 2011

"Structural Model" of Creative Consciousness


I was thinking a lot about what made my strongest past work strong and what motivates me to create. A topic on which I'm always generating new theories.

Sometimes I say "it's a common aesthetic quality, a matter of taste."
Sometimes I say "It's because I crave artistic challenges and puzzles."
Sometimes I say "It's all about educating people."

But every time I come up with a generalization like that, I can see where it doesn't apply and I quickly throw it out.

Then I realized that my FAVORITE work resonates on all three levels.
An unconscious level, a personal level, and an interpersonal level.

These three "levels of artistic consciousness" correspond roughly to Freud's idea of the "Structural Model" of the psyche — Id, Ego, and Super-Ego.

Diagram of Art



(Diagram and statement from 2010)

On Art's Place in the Scope of Unique Human Activities.


There is often debate among both artists and critics about what constitutes art. To some, art comes from the play instinct. To others, art is about communication. To others, art is about self-expression and is deeply private. Others see art as public and believe it is about improving (by either provoking or beautifying) the community.

Proponents of each definition of art sometimes are at each others' throats. Each could cite perfect examples of things that are purely communication, purely play, purely private or purely public works —or some combination of two or three of these attributes— that are not *quite* art. Frequently, Theorists use these examples of "not-art" to attack their opponents positions.

Art isn't synonymous with Communication, Play, Public Work, or Self-Expression. But it IS these things!
Well... Which is it?

Wednesday, December 21, 2011

The Elixir

. .

An ugly man turns to the secrets of alchemy to make his inner self apparent on the outside —at any cost.

----------------------------------------------------------------------------

Process Statement:

I created The Elixir as my final for Sight and Sound: Film in the Tisch School of the Arts way back in June 2010. It was shot on 16 mm film using an Arri S 16mm Camera from 1952.  The story of how this film came to be is long and colorful.  Technical and personal difficulties abounded in production.

Tuesday, November 1, 2011

The Tale of Turnip Head

     One of my ongoing, long-term projects is a graphic novel about the history of Halloween. So far I only have an outline for it written out, and a folder with a few page layouts.
     I figure the full-sized project will take a few years to finish, but I wanted to whip something up in time for Halloween this year. So I created a little four-pager sequence called "The Tale of Turnip Head."
     It's a wordless fantasy illustrating the evolution of the Jack-o-Lantern. It starts off with a Celtic Warrior in the midst of battle. Enjoy.

     and HAPPY HALLOWEEN!




I plan to take the "Turnip Head" inks and either color them or put some gradients in there to distinguish the figures a bit more. I also have another short Halloween story (an eight pager) blocked out, so you'll probably see it soon.

Thursday, October 20, 2011

So I'm a writer now.


The four thoughts that brought about my rekindled love of writing:

1.
First, I was reading about a great woman polymath named Blanche Ames.  When Blanche died, her daughter wrote, "For her to have an idea was to act."
Which meant to me, instead of thinking about how I'm going to do something, or how much I want to, if I have an idea I should just act on it.  It's freed me up creatively a lot.  I stopped writing "to-do" notes to myself in my journals, and when I did that it freed up all that time and space and creative energy so I could do real writing.  Substantial writing, the kind with ideas.

Tuesday, October 18, 2011

Resurgence of Dreaming

Resurgence of Dreaming Manifesto
By Thomas Boguszewski and Michael McConnell

     An abundance of cameras and global internet access have made everyone into photographers, filmmakers, and journalists. This new media of the masses has made a critical mass aware of the flaws in our system. Thus, artists pursuing social realism become redundant. In this era, what role do artists play?

     I pledge to bend my art to a new purpose.
     From here on out:
  • I enact a resurgence of dreaming. 
  • I take responsibility to provide a plethora of alternatives to society. 
  • I posit potential solutions to the problems people face. 
  • I make my visions attainable, though they are born of dreams. 
  • I am aware of and celebrate human nature. 
  • I find hope not by denying reality, but by admitting to it and adapting it. 
  • I provide examples of how one can live a happy, virtuous life in a world where the traditional cycle —Schooling, employment, earning, consumption, procreation— has been exposed as flawed. 
  • I believe that we must never give up on happiness even when old methods have failed. 
  • I know it is folly to cling to failed methods! 
  • I actualize my personal visions. 
  • I also give voice to, and interpret the dreams of others. 
  • I depict characters who step outside the normal system. 
  • I break the rules and make my own. 
  • I encourage others to do the same. 

  • I make it clear that any world I dream may be useful and may make us happier, but is not the best possible world. 
  • I do not know the one right way to do things. 
  • I do not have all the answers (anyone who says he does is out to hurt you.) 
Furthermore,
  • I know that this set of goals is only right for certain times and purposes. There are many wonderful reasons to make art out there. 
  • I do not sanctify this or any document. 
  • I break this pledge whenever I want.
(X)______________________

Sunday, October 2, 2011

24-hour comic - Oct 1 2011



So this is my answer to the creative challenge of this year's 24-hour comic (to create a 24-hour comic in 24 hours).  I was only able to make 8 pages during the 24 hour period, but that's okay.  I tried my best.  This project is made of firsts:  My first 24-hour comic, my first time using bristol board, my first time using ink and watercolors together in a "real" comic.  It was a great day.  Photos of the event to come.

Wednesday, July 6, 2011

Perpich Horror Movie (Spring-Summer 2009)

Well it took me 2 years to get around to it but I FINALLY put Secret Places: A School Divided up on the internet for all to see!



Created Spring-Summer 2009

In my senior year of high school at the Perpich Center for Arts education I applied for and was awarded a $100 grant to create a horror movie set at the Arts High School.

Wednesday, June 15, 2011

How to Cook a Story with Thomas "Bake-a-chef-ski"

I created a comic to submit to the cookbook-themed comic anthology "Just Add Ink" created by Altered Esthetics and the International Cartoonist Conspiracy.  It's a two-pager, but I'm presenting it here in the form of 8 4-panel strips, just because I can.